String Quartet in E Minor, Op. 83 - Cello

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It appears that he subsequently used themes intended for this earlier quartet in other works, including the symphony.

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When he eventually returned to the genre, it was to compose an entirely fresh work. The String Quartet was the first of three chamber works that he tackled in in the peaceful surroundings of Brinkwells , the country cottage that Lady Elgar had found for them in the depth of the Sussex countryside.

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Following the delivery of a piano to Brinkwells in mid-August of that year, however, Elgar tempted fate a second time by putting aside the quartet, firstly to compose the Violin Sonata and then to make a start on the Piano Quintet. Fortunately, he resumed work on the quartet in October , taking it forward to completion by the end of the year. Elgar was himself an accomplished violinist, having played in various chamber ensembles in his youth.

Edward Elgar: Streichquartett e-minor op.83 - Elegio-Quartett

The second subject allows some relaxation, but a phrase from it is then vigorously propelled, so bringing together the motoric power of the first subject and the lyricism of the second. Le second mouvement semble naturel. Der zweite Satz klingt arglos. Update Required To play the media you will need to either update your browser to a recent version or update your Flash plugin. Don't show me this message again.

String Quartet in E minor, Op. 83

String Quartet in E minor, Op 83 composer. July Total duration: Other recordings available for download. The first movement is intricate, with subtle internal cross-references. The tonality is fluid.

String Quartet (Elgar) - Wikipedia

The first two bars are in E minor but rise to a D natural, giving a modal flavour. Elgar often avoids root-position chords, and relates keys by minor thirds rather than by more conventional fifths. The second subject sounds smooth and lyrical but its rhythm turns out to be an expansion of the jerky first subject.

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  • When it is developed the viola has it between soaring violin and plunging cello. Recapitulated, it becomes sad and inarticulate, broken by rests. It is extraordinary that this highly strung music should flow so spontaneously.