Contes pour les enfants sages (FICTION) (French Edition)
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The tale begins in media res just after the wolf has gobbled up Little Red Riding Hood and her grandmother. The scene that haunts him most is, of course, the murder of poor Little Red Riding Hood and her grandmother. At the Institute of Moral Reform in the afterlife, a doctor assures the Big Bad Wolf that he can and will become good, but only after a number of reincarnations. Jacintho takes advantage of the universal popularity of the story of Little Red Riding Hood and the wolf to retell it with the intent of spiritually enlightening his young readers.
The retellings of major anglophone authors tend to be translated rapidly into most major European languages. The ambiguity of the alliterate title Dahl gives his collection leaves readers to decide if these are rebellious or nauseating rhymes, or perhaps both. The Catalan translator found a comparable two-word title that emphasized the genre, but replaced the alliteration with rhyme: Versos perversos Perverse verse, Un conte peut en cacher un autre A tale can conceal another, Sometimes a slight modification of the name traditionally used to refer to Little Red Riding Hood alerts readers immediately to the fact that they are not dealing with the heroine of the classic tale.
Her grandmother has given her a red outfit, but it is a short cape with a red hood that suits her so well that everyone calls her Little Red Riding Hood Incarnate. It is perhaps for the benefit of young Mexican readers that the narrator underscores the versatility of a garment that does not just protect from the wind and the rain, but also the sun.
The gender change of the noun reflects the gender reversal in the story. In several languages, the gender of the noun referring to the protagonist has en gendered intriguing variations on the well-known story. The inability to translate this type of gender play in English and other languages that do not have a gender no doubt explains why some superb retellings never travel beyond national or regional borders.
Some books that use Little Red Riding Hood as an intertext cross international borders particularly easily because they require little or no translation. Little Red Riding Hood often appears in wordless picture books because author-illustrators can expect their readers to reconstruct her familiar story on their own.
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Wordless books of this nature often have paratextual matter intended to guide readers through the visual narrative, and it is virtually the only element of the book, other than the title, that requires translation. One might imagine that this paratextual information was initially meant to guide young Japanese readers through European culture, but, paradoxically, it is not found in the original edition. The title immediately evokes the hunger of the wolf who gobbles up both Little Red Riding Hood and her grandmother, but in Norwegian, as in French, being as hungry as a wolf or having a wolfhunger is also a common expression for being very hungry.
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Even Norwegian readers are likely to presume, however, that the expression refers to the hunger of the big bad wolf. Fagerli plays cleverly with the ambiguity of the expression ulvehunger to create an astonishing turn of events: Little Red Riding Hood eats both the wolf and her grandmother! The striking illustrations won second prize in a picture book contest organized by the Society of Illustrators, in cooperation with J. You already recently rated this item.
Your rating has been recorded. Write a review Rate this item: Preview this item Preview this item. Librairie Istra, DL , cop. Elementary and junior high school: French View all editions and formats Rating: More like this Similar Items.
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